I've got it bad. Turns out that taking three weeks out makes going back to work a pretty scary prospect. So tonight I've been trying to cheer myself up by thinking about all the good things coming up this month. My lovely ma helped by emailing me a scan of the horoscopes from some magazine she was reading to prove to me that this is year is to be my best yet (thanks, Jupiter...)
Anyway. Think I might not rely purely on the stars to make this true. So, in no particular order, and to make up for the fact I'm not jetting off to Thailand like B, some things that should bring inspiration into the rest of January... and that probably require ticket purchasing...
Sweeney Todd. Tim Burton, Helena Bonham Carter (who it turns out I really like - see here for a great interview with the wonderful Barbara Ellen), and, of course, Johnny Depp. It's got singing but I'm intrigued enough to get over my usual musical-phobia. Launches end Jan here.
Lust, Caution. I suggested going to see this with S next weekend but have just noticed that it runs for 3 hours, and I think I'd rather spend some of the evening actually interacting... still, Ang Lee doing Shanghai, 1940s, affairs (hetero this time, in case you were wondering) - a pretty irresistible combination. And it's high time I saw another Shanghai film - the last one was 2046, which I loved, but was too long ago.
The Importance of Being Earnest. This is the first theatre performance I really remember going to. I was v excited, and remember laughing a lot - probably thanks to the wonderfuls Jane Horrocks and Maggie Smith, both of whom were starring in it. This time round it's Penelope Keith. On at the Vaudeville Theatre, 22 Jan to 26 April. I *pray* that this means that the Stomp run is finally over...
I will go to the Roundhouse very, very soon. I will I will I will. I will.
Also I must book tickets for Goldfrapp THIS WEEK before they sell out. Playing at Southbank Centre (of course) as part of the Ether festival in April.
Ah, the Lyric Hammersmith. My favourite. Even typing it brings a smile to my face. This time, they're doing a production of Kafka's Metamorphosis, between Jan 11th and Feb 2nd.
And for those nights when I can't face the glittering lights of London's West End (or its cold grey pavements), I've read somewhere that there's going to be a programme or three about Thatch's early career, but I can't for the life of me locate the little torn out bit of magazine that gives me any more info than this, dammit. But it sounds so promising...
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